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Arctic Monkeys
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A pochi mesi dai concerti di Ferrara e Roma, gli Arctic Monkeys tornano con una nuova data italiana al Mediolanum Forum di Assago, forti della pubblicazione dell’ultimo album AM. A qualche ora dall’inizio dello show, con il sold out arrivato in zona Cesarini, il palazzetto è circondato all’esterno da lunghe file che si trasformeranno, all’apertura dei cancelli, in disperate corse per accaparrarsi le prime file. Lo spettacolo vede gli Strypes (già ascoltati dal sottoscritto a Dublino in occasione del concerto dei Blur) in apertura, bravi a scaldare i presenti con 45 minuti di rock’n’roll presi in prestito dal disco d’esordio, Snapshot. Da segnalare alcuni momenti di puro caos per gli addetti alla sicurezza, costretti a bloccare decine di ragazzi intenti a scavalcare la tribuna per arrivare al parterre.
Puntuali come orologi svizzeri, alle 21:20 salgono sul palco gli Arctic Monkeys, accompagnati da una totale isteria da parte delle più giovani, e non solo. L’apertura è affidata al singolo del nuovo disco Do I Wanna Know?: sicuramente al brano non manca orecchiabilità, grazie all’ipnotico giro di chitarra, idem per l’incendiaria Brianstorm e l’aggressiva Don’t Sit Down Cause I’ve Moved Your Chair. La scaletta mescola grandi hit – seppur con dolorose defezioni, come When The Sun Goes Down – alle canzoni del nuovo, osannato, album (suonato quasi per intero), facendo danzare il pubblico tra momenti di euforia generale (Old Yellow Bricks, Crying Lightning, I Bet You Look Good On The Dancefloor) ed episodi più soft come I Wanna Be Yours, Reckless Senerenade, Why D’You Only Call Me When You’re High?.
Uno show sicuramente piacevole, ma senza momenti memorabili. Unica pecca, l’inusuale atteggiamento di Alex Turner. Il cantante e incontrastato leader è parso ormai immerso nel ruolo dell’inarrivabile superstar, tanto da oscurare completamente gli altri componenti del gruppo. Gesti e comportamenti artificiosi hanno incorniciato questa spiacevole tendenza, come l’abbandono della chitarra durante alcune canzoni per darsi a imbrobabili balletti o salutare il pubblico – o per meglio dire le ragazzine in prima fila – con atteggiamenti piuttosto surreali da consumato playboy. Niente di male, non fosse che tutto questo corollario di pose ci è parso far perdere sostanza alla musica, oltre a lasciarci con un senso di incompiuto certificato anche da una R U Mine? che chiude lo show relegando la storica Mardy Bum a penultimo episodio ed eliminando dalla scaletta 505.
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