Recensioni

A Sagittariun

Dream Ritual

23 Novembre 2013

Daniele Rigoli
11 Dicembre 2013

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Nel mondo dell’elettronica l’utilizzo dell’anonimato o di una maschera per coprire il volto durante i set non è certo una novità: dal mistero/non mistero Burial all’inflazionato camuffamento di V Per Vendetta targato Zomby, passando per il manufatto tribale di SBTRKT, il rebus sull’identità ha spesso fruttato, a livello di hype. Non fa eccezione questo ragazzo di Bristol – città da sempre laboratorio artistico in costante fermento -, deciso a gettare un velo di oscurità sulla propria figura preferendo la maschera di Topolino e il moniker A Sagittariun e spiegando l’arcano in questi termini: “Non sento il bisogno di spiegare chi sono, da dove sono venuto e qual è la mia storia. Vorrei essere conosciuto come A Sagittariun, il nono segno”.

A chi, come il sottoscritto, non è avvezzo alla lettura dell’oroscopo e dell’astrologia, basterà sapere che una delle caratteristiche del sagittario, segno di terra, è la nobiltà, caratteristica qui tradotta musicalmente in dinamicità ed energia. Pubblicato a tre anni da The Circle Stops Somewhere, a cui sono seguiti altri EP, tra cui l’ultimo Rapid Ear Movement rilasciato proprio qualche mese fa, Dream Ritual è il disco d’esordio del producer: un lavoro concepito in tre anni cercando di far propri modi e modalità del sentire elettronico di inizio Novanta. Ci si trova dentro l’IDM techno pensata più introspettivamente che non d’istinto, la pura elettronica da viaggio in poltrona, l’house, l’elettro o il dub, una palette piuttosto generosa, ben fatta, spesso immediata nei riferimenti, ma nondimeno ispirata e senza riempitivi, il che non è poco.

Dodici tracce che fanno convergere in un unico punto certe atmosfere dei club di nicchia e attenti ascolti solitari: si passa dal techno pop dei Kraftwerk al frullatore (funk) di Year Of The Ox, alla vibrante microhouse di The South Node, passando per Trine, pura IDM degli esordi e dunque puro contatto con Detroit. I battiti sono lineari e puliti, come anche veracemente analogici e funk; intervallano momenti jazz con dialoghi à la Orb (Mind Has No Time) a incursioni breakbeat con ricordi ravey à la Orbital (Conquering Lions), dub à la Two Lone Swordsmen (Seven Locks (In dub)) o tocchi di 303 e traxismo ben cesellato con sensibilità ambient house britannica (Network Restoration). A Sagittariun estrae dal cilindro eleganti sfumature che vanno a confluire nelle pulsazioni di V4641 – ancora i citati Orbital -, negli aggraziati synth di A Lucid Dream o nel punto più alto della tracklist, l’intraprendente cavalcata di Crystallisation, con uno Skip McDonald alla chitarra che si muove con disinvoltura in complesse architetture ambient che rimandano al James Holden del recente The Inheritors, accompagnate da geometrie ritmiche profonde e viscerali.

Un disco trasversale ma compatto, mai pretenzioso, perfetto da ascoltare in cuffia mantenendo gli occhi chiusi e cullandosi in questo esplodere d’IDM. Dietro la tattica di A Sagittariun di non mostrarsi fisicamente al pubblico, non c’è solo un’astuta strategia commerciale; al contrario, vengono fortificate le qualità e i pregi di un’artista che vuole far parlare esclusivamente le produzioni. Essere contro apparenza.